ASYUT EMBROIDERY
Asyut, also spelled...assuite, assuit, assyut, asyute, and even azute is so named for the Asyut Region of Upper Egypt where it is made. It is also known as "tulle-bi-telli", literally translated as "net with metal".
CHARACTERISTICS
Thin, flat strips of metal are worked into hexagonal mesh fabric known as tulle
(hence the arabic term "tulle-bi-telli"). The tulle is fine strong
cotton.
Thin metal strips of either nickel silver, or copper or brass plated with some
mixture of silver- about 1/8th" wide - are threaded into a wide, flat needle
with a wide, flat eye. The strips are threaded into the mesh, crossed over,
flattened crisply with the fingernails, cut, then flattened into a sort of packet
stamped into/onto the fabric. Each bit is about 1/8" x 1/4" long and
these oblong dots are worked into designs both geometric and figural. When finished,
a huge roller is passed over the textile to flatten the metal down even more.
HISTORY
Metal embroidery in Egypt dates back to 3000BC. The fibres, made of flax were
decorated with precious metals, often gold. The motifs and designs are influenced
by early Coptics. This fabric was almost certainly the transparent material
which is worn by characters in tomb paintings. It is even mentioned in the Bible
in Exodus 29: “and they did beat the gold into thin plates and cut it
into wires, to work it in the blue, and in the purple, and in the scarlet, and
in the very fine linen, with cunning work.”
Traditionally worn by Egyptian women in various ways, and highly favoured by
dancers. Today Egyptian dancers wear both loose cut and form-fitting beledi
dresses to convey the ultimate Egyptian expression of dance costuming.
These shawls were popular with European tourists in the 1920s when the discovery
of Tutankhamen’s tomb ignited an interest for Egyptian goods. They lent
themselves well to the exotic glamour of the roaring twenties and thirties and
were often made into garments.
REFERENCE:
www. liquidsilverdesigns.com
The Shining Cloth: Dress & Adornment That Glitters by V..Z. Rivers, Thames
& Hudson, 1999, p 91.
© Valerie Cavill 2008